Show simple item record

dc.contributor.authorLopreiato, P
dc.date.accessioned2021-11-09T17:26:19Z
dc.date.available2021-11-09T17:26:19Z
dc.date.issued2014-12-01
dc.identifier.issn1477-965X
dc.identifier.issn1758-9533
dc.identifier.urihttp://hdl.handle.net/10026.1/18287
dc.description.abstract

<jats:title>Abstract</jats:title> <jats:p>There is something frustrating in the concept of algorithm that can even worry: its limitations. An algorithm does not need the time to define itself, it possesses in its structure everything that defines it and can work exclusively in a site, such as a computer, which is itself another finite system. Whenever a particular algorithm will be executed it will always be inexorably equal to itself because the number of possible states is finite. A logical­mathematical algorithm is essentially very different from a living being that reveals its being only in the passage of time, in the relationship with the environment, in the happening of events. On the contrary there is a strong relationship between living things and the art, since art essentially needs time to express itself. The art has a time dimension, if for no other reason, because the purpose of art is reaching human beings. But art, through technology, can also broaden its horizons. Art can make use of the technology and can do exactly as the man whose expression is, to grow, to expand, to discover new identities, to conduct an investigation in those distant places, on the border with the irrational.</jats:p>

dc.format.extent423-428
dc.languageen
dc.language.isoen
dc.publisherIntellect
dc.rightsAttribution-NonCommercial-ShareAlike 4.0 International
dc.rightsAttribution-NonCommercial-ShareAlike 4.0 International
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subject3601 Art History, Theory and Criticism
dc.subject36 Creative Arts and Writing
dc.subjectBioengineering
dc.titleReflections on art, nature and technology: The role of technology, algorithm, nature, psyche and imagination in the aspiration of an aesthetic experience
dc.typejournal-article
dc.typeJournal Article
plymouth.issue2
plymouth.volume12
plymouth.publisher-urlhttp://dx.doi.org/10.1386/tear.12.2-3.423_1
plymouth.publication-statusPublished
plymouth.journalTechnoetic Arts
dc.identifier.doi10.1386/tear.12.2-3.423_1
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Art, Design and Architecture
dc.identifier.eissn1758-9533
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.1386/tear.12.2-3.423_1
rioxxterms.licenseref.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/
rioxxterms.typeJournal Article/Review


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record

Attribution-NonCommercial-ShareAlike 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-ShareAlike 4.0 International

All items in PEARL are protected by copyright law.
Author manuscripts deposited to comply with open access mandates are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author.
Theme by 
Atmire NV